Age up slightly, and you have the coming-of-age riches of Mean Girls, Clueless, The Hairy Bird and Bring It On. Younger girls are typically catered for directly by the hyper-materialistic glitz of formulaic series such as The Princess Diaries and the output of the Olsen twins. ![]() The ‘cult’ with whom it is classic is that most devalued and belittled of viewers, young girls, an often-misunderstood and frequently ignored audience rarely catered for by movie studios looking for a safe bet. ![]() “It would never occur to us to make a film that did anything but empower young girls or young women,” said Shyer as if considering the film in this light for the first time. The Parent Trap is a proto-feminist tale so sweetly and satisfyingly told that even its conservative fans don’t notice. Like all cult films, there is a subversive edge. “It’s getting to be a regular thing,” he admitted. As a sign of how this is changing as its fans are aging, Shyer signed three Parent Trap posters hours before our interview. Its many millions of fans share their affection for it among friends and siblings. Even among supporters and detractors of Meyers, The Parent Trap is rarely discussed. Husband and wife team of producer Charles Shyer and director Nancy Meyers were still fresh from the massive success of Father of the Bride and its sequel when they chose to remake Disney’s 1961 classic The Parent Trap. In an age of children’s movies featuring lightning-fast edits, a bombardment of focus-group tested cross-cultural slapstick and sly adult references, The Parent Trap is a stronger film than ever. ![]() The film boasts strong, lovingly drawn characters inhabiting a richly-detailed world in a smartly-paced story that stars actors on the top of their game. Despite the film’s the box office success and a warm reception from the Queen at a Royal Screening, The Parent Trap has all the features of a cult classic.
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